The Bone Collection

Embroidery and watercolor on canvas, various sizes

This series explores the cycle of life and death through embroidered animal skulls surrounded by blooming wildflowers. In nature, death is not an end but a part of life’s rhythm. Many of the pieces are mirrored to emphasize balance, symmetry, and the repetition found in natural cycles.

The work was deeply influenced by my time in New Mexico, where bone collecting is a respected practice tied to the land and its history. Unlike in my home country, where death is often a taboo subject, I found inspiration in the Southwestern view of bones as symbols of transformation and resilience.

I use a mixed media approach rooted in textile techniques. Black embroidery outlines the forms with precision, while soft pastels in watercolor add contrast and warmth. The flowers surrounding the skulls act as quiet reminders that life continues to emerge, even from what has passed.

Deer Skull

Embroidery & watercolor on canvas, 16x20''

This study of a deer skull captures the quiet complexity of an object shaped by both nature and time. The model for the piece is a real skull found in the Gila Wilderness of southwestern New Mexico, one of the last true wilderness areas in the United States. The Gila’s rugged, untouched landscape holds a sense of stillness and raw presence, and the skull, weathered by the elements, carried that energy with it.

When I discovered it, the antlers had already been removed. Rather than seeing this as a loss, I felt it gave the skull a deeper sense of history.  That absence added to its character, speaking to the transformation objects undergo, especially those found in the wild.

Today, the skull has taken on a second life as a sculptural object titled Argus. Painted and adorned with peacock feathers, it references the Roman myth in which Argus, a many-eyed figure, is ultimately betrayed by Juno, who then honors him by placing his eyes on her peacock’s tail. The feathers, tied to Juno, are symbols of watchfulness and transformation. In this context, they also speak to the watchful presence of nature, the layered histories within objects, and the way meaning shifts when we choose to see something not only for what it is, but for what it once was... and what it might become.

Memento Mori

Embroidery and watercolor on canvas, 10 x 20 in

These mirrored, identical pieces mark the beginning of my journey into embroidery. Starting with a combination of watercolor and thread, I was drawn in by the tactile quality of the medium: the texture, the raised surface, and the way light interacts with stitched elements.

 

Black crochet thread in varying thicknesses is used to define contours and shading, while softer, colorful embroidery floss brings life to smaller details like flowers. Watercolor adds depth and a rustic tone, creating a dialogue between softness and structure. This early experiment sparked an ongoing exploration of texture and color that eventually led me toward more textile-focused work.